LOUISE LUTON
  • home
    • Testimonials
    • FAQs
    • Subscribe
    • Members page
    • Subscribers secret sale
  • Store
  • CUSTOM
  • Prints
  • Galleries
  • Portfolio
  • About me
  • Blog
  • Archive
Picture
Picture

This section will not be visible in live published website. Below are your current settings:


Current Number Of Columns are = 2

Expand Posts Area =

Gap/Space Between Posts = 48px

Blog Post Style = simple

Use of custom card colors instead of default colors = 1

Blog Post Card Background Color = current color

Blog Post Card Shadow Color = current color

Blog Post Card Border Color = current color

Publish the website and visit your blog page to see the results

Inspired by nature? Naturally, I'm British!

27/4/2016

1 Comment

 
After reading that title; if you've tuned in to read a blog about the EU referendum, you're in the wrong place, this is all about art!
Whenever I’m asked "So what kind of art is it that you do" I always say “Beautiful  oil paintings inspired by nature”. That has been my raison d'être since becoming an artist. 
The countryside and coast have been my inspiration from the start.
Most recently my animals have been a real hit; newly exhibited this year.
 I have just returned from Reading Art fair and the first three original paintings to fly off the walls were all animals, the first three prints were animals too.  Just as I began to think that a pattern was emerging, the next three where landscapes and seascapes so who knows?
PictureCave paintings, Lascaux, France

The simple idea that nature is beautiful and artists want to capture it is as old as art itself. The cave  paintings at Lascaux in France demonstrate art's purpose was not only showing the importance of the hunt and recording an event, but also the animals that were stalked or chased during the hunt. I remember very clearly the first time I opened Gombrich’s “The story of art” to see Albrecht Durer’s portrait of a hare and thinking how can it be possible that someone can create something so lifelike simply with a pencil? My hare is a different take on that beautiful and very popular animal. This hare was the second painting to sell at Reading at the weekend and I love him, I will be painting another hare but it will be different to this one: a different size, different canvas, a different background, a different expression but it will still be a much loved beautiful hare.

​
Picture
Albrecht Durer. Hare
Picture
Louise Luton The Thoughtful Hare
Various people looking closely at my work commented on how I had captured the essence of the animal with out being too realistic. I was delighted to hear this as that was the plan!

One of the big challenges for a painter (landscape, animal, anything really), is to work out what to keep in and what to leave out. What we leave out is just as important as what we put in. Most people tend to notice my vibrant use of colour in my animal paintings. A Stag does not have blue and turquoise in it, a hair doesn't have a blue nose or purple ears. I think I'm a natural colourist, I like adding colour. I'm a painter! I have to bring something to the party that is different to a photographer.


Interestingly I think my use of colour in animals has stemmed from so many years of landscape and seascape painting. Trying to capture that particular pink cloud in the sky can be a real challenge and it's led me to be able to use colour in really exciting ways even when I'm painting something that is essentially a series of browns and greys. I can add bright colours that really bring the animal to life.
I believe that artists can give the viewer a clearer sense of what they might be looking at in nature. The very selection of colour life and personality in each of my works is communicating something different to the viewer other than what I saw in the first place. It is the fine line between recording the event or the place or the person or the animal and bringing a story to any of those elements so that the painter provides the viewer with something more.
​
With each of my landscapes and seascapes I have always considered them to be your personal window on the world, the view that we wish we had from our kitchen, we have a painting to reminder us of that beautiful place we once visited. However with my animal paintings I think I'm bringing a different kind of joy to your living room. 
​
Picture
Edwin Landseer Monarch of the Glen
Picture
Louise Luton The Patient Stag
Something I noticed this weekend at Reading, when people visited my stand was how many people put on a funny voice when looking at one of my animal paintings.  Anyone my age will remember Johnny Morris and Animal magic and perhaps it’s inherent in us to put on silly voices when we think of animals; that level of anthropomorphism is very strong in the British psyche. I have heard so many young people making moo noises at my cow and squealing with delight when I saw a happy muddy piggy.


So what does all this tell us? 
It tells me very clearly that I'm part of a long tradition of artists who have always been inspired by nature and inspired by what they see around them.
​ All of my landscapes (with perhaps the exception of the old picture of Venice or Paris) are of places I live near. All of my animals are also animals that I can see in Wiltshire, Dorset or the New Forest.
 I like being part of the tradition. I like celebrating the British countryside and coast and the variety of creatures that live on our shores.
Picture
1 Comment

Why art is so good for you.

15/4/2016

0 Comments

 
Why Art is so good for you.
Looking at it, owning it and creating it.
​It is good for you.

Grayson Perry has most recently described art as therapy. He commented that whatever is bubbling under the in the artist’s subconscious will come through in their artwork, and in turn will speak to the viewer’s subconscious. Art has an immediacy in its language all of its own, that kind of therapy simply can't be bought! And I’ve begun to wonder whether or not I, and other artists take it for granted.
 I think there is something wonderful about wandering round a gallery and simply becoming absorbed in the art work that I'm looking at. Sometimes I might know the artwork well, it might be incredibly famous, or something that I have studied before. As often than not, as I get older, I become more and more drawn to things that I have never seriously looked at before!  I am drawn to artists that I hadn't previously studied. Grayson Perry is right, art can communicate from creator to viewer in an immediate way. It's good for us to see and “feel” art.
Picture
Picture
PictureSolo boat in Poole Harbour, Oil on canvas. Louise Luton Art.
Alain de Botton has even written and entire book entitled “Art as therapy”. It's brilliant and I heartily recommend it. 
He refers to the idea that art helps us recall, remember and make safe our memories. The wonderful piece by Jean Baptist Regnault  pondering the start of painting; depicting a young couple in love. The woman, so afraid she will forget her lover's face, traced his shadow with a pieces of charcoal. It's beautiful and touching, (regardless of its accuracy) it makes me think of how we often wish to make mental pictures and artists used to be the only people that could truly help with that!
​
One thing that really strikes us when we look at art is the view. The creation of a window on the world. In Britain especially we are drawn to enormous skies and seascapes; is this because we are an island race? a nation of sailors? who knows, but seascapes appear to be the paintings speaking to us when we visit galleries.



Most recently I have been working on a series of animals and these seem to speak to people even more than my landscapes and views. Again we are nation of animal lovers, we can't get enough of them. People seem to become very attached to paintings of animals very quickly they start saying “I love him” or “look at her she's so sweet” when looking at one of my cows, sheep or ducks. I think it is interesting how quickly we can engage in work of art, albeit a beautiful one, simply because it is speaking to us on a different level. 

Picture
"Humphrey" Oil on canvas. Louise Luton Art
Picture
New Chick. Oil on canvas. Louise Luton Art.
I also think the art helps us in our daily lives because it can raise our own sense of self and self esteem. This isn't simply about status and showing off at a dinner party, though a large oil painting in our lounge can well do that! But it raises our esteem by making us smile. Every time we walk past our painting we feel a little bit of warmth inside us, we might remember the place the work depicts or the lovely day we bought the work of art. Or maybe it's our own self conscious filling in the gaps and sending us somewhere else.
There is new trend in adult colouring books now,  supposedly  as a kind of art therapy or a kind of arty mindfulness. I don't mind adult colouring in at all in fact I think it's a lovely little hobby and can be calming. But creating art, or learning to draw is even better for you than colouring in. Last night there was a program on TV called “How to stay young” , they made reference to going to life drawing in order to help your brain stay young. Life drawing is an extraordinary activity and unlike constantly doing sudoko puzzles for instance, life drawing presents a completely different challenge every time you sit down to draw.
Picture
View through a doorway. Sketch. Louise Luton Art
Picture
Life drawing at Dr Sketchy's. Sketch. Louise Luton Art
Picture
Dining room chair. Sketch. Louise Luton Art.
 I regularly go to life drawing even though very little of my professional works are are figures,  but life drawing keeps me fresh, there's always something to learn and is an artist it contributes to your skill. As a non-artist, if you attend life drawing classes incredible things will happen to your brain as both sides of the brain engage in the activity and create electrical impulses all across your brain.  Even if there isn’t a life drawing class or art workshop near you, you can reap the benefits by drawing anything from direct observation. It’s best that you're not copying a photograph because the problem has already been solved -  a 2D photo into a 2-D drawing. However sitting down and drawing one of the dining room chairs, or drawing the view through the door from one room can create an incredible exercise for your brain. You'll also find it wonderfully relaxing as well it's something you can do every day if you want to.
So I urge you this week, try to get some art in your life
Go and have a look at some art work in a gallery, even a small local gallery or pay attention to the art work you might see in a local coffee shop or restaurant and let some art in your life. 
Draw. Just do a little drawing, don't worry about showing it to anyone. But do draw.
Because art is good for you.
​ It really is.
You can find out about Louise Luton's drawing workshops here.
Workshops
0 Comments

Oil paint: the breakfast of champions

6/4/2016

0 Comments

 
Oil paint -  the breakfast of champions!
Or why I’m still an oil painter!

There’s no getting around it; oil paint is expensive.
Very expensive.
It’s also a "dark art" with all those potions and bottles marked with “toxic”, all just for getting the paint onto the canvas and off of the brush!
And it’s smelly.

My most recent  art supplies order contained a (small tube) of paint for £17.50. It’s acrylic equivalent would have been less than four quid! And the acrylic would be diluted with plain old water, and and brushes would cleaned with water too. Whereas my favoured solvent costs more than a tenner for just 250ml, and I buy it by the gallon!
 No wonder many professional artists have left the favourite medium of the old masters behind them. 
But not me.
I love love love oil paint.
I’m an oil painter and I’m proud. Here's why:
Picture
Just a few of my brushes... www.louiselutonart.com
Picture
A section of my favourite oil pigments. Louise Luton Art

  1. Cutting edge technology and its place in history! Despite what you might think, oil paint marked big changes in art history. Oil (as opposed to egg tempera) led to developments of really perfect paintings. Over time artists could build up layers and incredible detail,  creating paintings that still,  hundreds of years later, contain more detail and colour than can be captured by even the most advanced cameras.  
  2. When cameras did come along, metal tubes of paint were developed, once again leading to a whole new away of painting -  en-plein air painting. The impressionists wouldn’t have have happened without it. I like being a part of history!
Pictureimpasto waves

3. Control. Power is nothing without control. Oil paint is diluted with turpentine. Which dries pretty quickly. As you build up layers you mix the turps with linseed oil (which dries really slowly). You learn to have balance between turps and oil through the process. Like many oil painters these days, I have eschewed turps in favour of a citrusy version called Zest-it. It’s less toxic and smells lovely. Zest it makes its own oils too. Over the years I have learnt to understand the chemistry of zest-it solvent, oil and my paints, different pigments have different drying times too! It’s very hard to learn (which is one reason why it’s not favoured by hobby painters) but once learned, it gives me incredible control over how I paint.

4. Oil paint has so many techniques to its name. You can paint all in one go, known as alla prima, you can build up layers thick over thin and light over dark, you can add huge globs of it - impasto, you can blend layers that are semi-dry…

5.And that’s another reason why I’m an oil painter over acrylic - I’m all about the blend. Acrylic drys fast and is therefore great for crisp clean lines. But my skies need to be blended.

Picture
Solvents and mediums for oil paint. Louise Luton Art
The variety of  solvents and oil mediums means as your style develops you can manipulate paint accordingly. Fast drying mediums don't make oil behave like acrylic; it still takes a good while to dry,  but you have control. There is an art itself to start understanding drying times. I can blend in a cloud when the underpainting of the sky is drying, but not completely dry. If I do it wet and I’ll end up pushing mud around the painting as all the layers merge together. If I do it complexly dry I’ll end up with a hard edge. Sometimes that’s just what you want, but for sky - I’m all about the blend!


6. Any colour under the sun. Oil paints have been going for so long, there isn’t a pigment you can’t buy…if you’ve got the cash!


7. Light fastness - actually not really a good reason anymore as top quality acrylic paint has good lightfastness too!
​
Picture
Rosey glow over Venice. Louise Luton Art
8. Go with the flow, I often use watercolour for sketching and in my workshops. I find myself saying thing like “let the water do the work”. In oil painting I can’t exactly say “let the oil do the work”, but I do try to go with the medium rather than fighting it. 
​
And that’s really the key for any artist, finding the medium that works the same way you do, and you’ll start to produce better art. Fight and you’ll never truly be in flow with your work.


Will I ever change? Possibly, I use waterbased media for a lot of my sketching and planning, but when the final work begins-  oil paint is the only thing between the brush and the canvas.
0 Comments

How to support those creative types, and keep them happy; (and thank you too)

4/4/2016

0 Comments

 
Do you share your life with a creative?
Or have a son/daughter pursuing the arts?
Maybe your best friend has just jacked in her job to finally lead a truly creative life?

Can they be a right royal pain in the backside at times? Don't worry, you can make them happy very easily with my top tips - I guarantee they'll appreciate your efforts.
Picture
1. Creatives can be sensitive!
That doesn't mean shower them with false praise! But try to be gentle if criticising their work; it can  be tough. However, in my experience creatives are very able to take criticism about other aspects of their business, so if you know a better printer, courier service or accountant, tell them - they'll want to know!


2. They're doing lots of things you can't see.
Creatives are often "one man bands" and do everything. I'd love it if every day was pure painting! But whatever it takes to keep business going, that's what they're doing. So if you feel you can't really  talk about their art/photography/papiermache hats then talk about their business. They'll love it and again you might have some useful insight that they'd really appreciate.

3. Online is good, bad and everything in between. And it takes up time.
Creatives need to be online, and sell online, and know what their competitors are up to too.  We need to have a presence online - and here's where you can really help the creative in your life: 

                     Like, share, heart, retweet whenever you can!
Facebook business pages don't have the same reach personal profiles. So
everytime you click 'like' on my business page, it tells Facebook that my post is good and groovy and it extends the post reach to others.
Everytime you share or comment, it pushes it even further. All for free. And boy do I appreciate it. I really do. It's the same for retweeting on twitter, putting a heart by an instagram photo and re-pinning a picture on pinterest. And yes, most creatives are trying to manage all of these platforms because they're good for business.


Picture
4. Give them a testimonial.
Pop them an email with a nice quotable sentence.
I really appreciate the friends who have, over the years, bought work from me, attended  my workshops, seen my exhibitions and visited my studio. And indeed, the new friends I've made by selling work or doing workshops. When they've written a little email with how much they enjoyed it, or how  much they learnt, or how much they love my painting - it's worth its weight in gold. It not only helps me through the tough days ( and that alone is great) but it helps fill a folder of testimonials, that help other customers develop trust in me, my work and my business..

From the bottom of my heart, thank you for supporting me!

0 Comments

Art fair season is here; next stop Reading!

1/4/2016

0 Comments

 
I'm set fair for the Spring and Summer round of fairs.  The Spring season begins for me at Reading Contemporary art fair.

I've just finished an exhibition at the Augustus John at Fordingbridge (thank you Brian) , and I've been working on new collections and commissions.
​All done.

So now it's all systems go for Reading Contemporary Art fair.
Picture
My first visit to Reading art fair was last year and what a great fair it is. I sold well, met some great people and spent the whole weekend talking about art. It was great and I'd recommend it to anyone

Let me fill you in on what you can expect.
  • Over 130 artists. Painters, sculptors, glass artists, printmakers, photographers...in many different styles, so there's bound to be something gorgeous that will catch your eye.
  • Most exhibit in stands on their own, some as part of a gallery.
  • Professional, high quality work from established and emerging artists.
  • Incredible value; artwork starts at £45 for originals, going up to £4000;  the vast majority of work on sale is under £1000.
  • Some artists have some limited edition prints on offer too, which is a great way to start your art collection on a modest budget.
  • A chance to meet real artists; find out how they create their art and why.
  • Workshops presented by Jelly
  • A nice cafe, so you can make a day of it, take your time and enjoy the whole show
 The Fair begins on Friday 22nd April for the Private view evening, and continues through the weekend 23rd and 24th April.

I have some Private view tickets available for you, and I have 2 for 1 tickets for the rest of the weekend, simply email me, if you'd like to come.
 louiseluton@gmail.com
Picture
"Springtime at the Stones" by Louise Luton Art placed in a room using http://www.ohmyprints.com/de/WallApp/455 Come and see it at Reading Contemporary art fair this April
0 Comments

    Louise Luton

    Artist 

    This section will not be visible in live published website. Below are your current settings:


    Current Number Of Columns are = 3

    Expand Posts Area =

    Gap/Space Between Posts = 35px

    Blog Post Style = card

    Use of custom card colors instead of default colors = 1

    Blog Post Card Background Color = current color

    Blog Post Card Shadow Color = current color

    Blog Post Card Border Color = current color

    Publish the website and visit your blog page to see the results

    Categories

    All
    12daysofchristmas
    2014
    2016
    2017
    2018
    2019
    2020
    2021
    2023
    2b Pencil
    Abstract
    Academia Bridge
    Acrylics
    Activities For Lockdown
    Affordable Art
    Affordable Art Fair
    Afrcia
    Africa
    Aladdins Cave
    A Month Of Colour
    Animal Art
    Animal Artists
    Animal Paintings
    Animals
    Anxiety
    Art
    Art Acitivities For Kids
    Art Blog
    Art Buyers
    Art Class
    Art Classes
    Art Demonstrations
    Art Development
    Art Fair
    Art Fairs
    Artisan
    Artist
    Artists
    Artists Block
    Artists-block
    Artists In Business
    Artist's Myth
    Arts
    Art Teacher
    Art Trail
    Art Tutorial
    Art Video
    Artwork
    Art Workshop
    Atkinson's Stunt Display
    Awards
    Baronsauction
    Barons Charter
    Bath
    Bath Pavilion
    Bbc-countryfile
    Beautiful
    Beautiful Paintings
    Bespoke
    Bird And Davies
    Blenheim Palace
    Blossom
    Bluebells
    Bluebell Woods
    Blue Violet
    Boxes
    British
    British Museum
    Brochure
    Brockenhurst
    Brokenhurst
    Buffalo
    Burnt Sienna
    Business
    Business Challenge
    Business Plan
    Buy Art
    Buy Art Online
    Buying Art
    Buying Original Oil Painting
    Canvas
    Cape Buffalo
    Cardboard
    Carey's Manor
    Carrie Green
    Cattle
    Ceramics
    Cezanne
    Change
    Cheetah
    Cheltenham
    Cheltenham Racecourse
    Cherry Blossom
    Christmas
    Christmaspresents
    Chrsitmas Presents
    Clouds Hotel
    Colour
    Colouring In
    Colours
    Comissions
    Commission
    Confidence
    Contemporary Art Fairs
    Content Form Process Mood
    Coronavirus
    Countryside
    Cows
    Create
    Create Your Own
    Creating
    Creative
    Creative Visionary Program
    Creativity
    Culture
    CVP
    CVP Is It Worth It
    Daily Paintings
    Dairy
    Dancers
    Daphne's Diary
    Deer
    Demonstrations
    Design
    Development
    Diary
    Discount Code
    Donkeys
    Dorset
    Drawing
    Durer
    Elephant
    Elephants
    Elizabeth Cairns
    Emerging Artist
    En Plein Air
    Enterprising
    Entrepreneur
    Erin Condren
    Exhibition
    Exhibtion
    Exhitbion
    Expansive Art
    Experimentation
    Farm
    FEA
    Female Entrepreneur
    Female Entrepreneurs Association
    Filofax
    Fisherton Mill
    Flamingo
    Food
    Fordingbridge
    France
    Free Downloads
    French
    French Impressionists
    French Inmpressionists
    French Ultramarine
    Fresh Art Fair
    Galleries
    Gallery
    Garden
    Gesso
    Gift
    Gifts
    Giraffe
    Giverny
    Goal Setting
    Gold
    Good Business
    Gorilla
    Grand-designs
    Growth-and-evolution
    Half Term
    Hampshire Country Show
    Hare
    Hare In Watercolour
    Haute-couleur
    Highland Cow
    Holiday
    Home Decor
    Horses
    How To
    How To Buy Art
    How To Draw
    How-to-get-organised
    How To Grow Your Business In 2021
    How-to-mount-a-print
    How To Paint A Hare In Watercolour
    How To Paint An Easter Bunny
    How To Paint A Portrait
    How To Paint In Oils
    How To Video
    Hugo The Elephant
    Imindmap
    Impressionists
    Inspiration
    Inspired
    Inspriation
    Into Africa
    Jackson's Art Supplies
    Janet-murray
    January
    Japan
    Jennifer Lee
    Jewellary
    John-craxton
    Just-a-card
    Karting
    Karts
    Kenya
    Kimono
    Kings Blue
    Landscapes
    Laura Knight
    Learn-to-draw
    Learn-to-draw
    Learn To Paint
    Lido De Jesolo
    Lifeiscrafted
    Light
    Limited Edition Prints
    Line-drawing
    Linen
    Linen Canvas
    Lion
    Lion Painting
    Lions
    Lisa-jacobs
    London
    Louise Luton
    Louvre
    Love-art
    Luminaries
    Luminaries Club
    Magnacarta
    Magnacarta800
    Magna-carter
    Makers Yearbook
    Mandala
    Marriage
    Masai Mara
    Media-diary
    Mediation
    Medium
    Members Club
    Micheal Harding
    Michelangelo
    Mindfulness
    Mindset
    Mindset Makeover Challege
    Mistakes
    Mixed Media
    Monet
    Mothers-day
    Museedorsay
    Musee-dorsay
    Nationalgallery
    National Gallery
    Natural History Museum
    Nature
    Newbury
    New Forest
    New Forest Pony
    New Forest Show
    New-year-resolutions
    Noble-art-supplies
    Observation Drawing
    Oil
    Oil Paint
    Oil Painter
    Oil Painting
    Oil Paintings
    Old Holland
    Old Sarum
    Orangutan
    Organise
    Original Art
    Paint
    Paint A Tiger
    Painting
    Painting Demo
    Painting Fun
    Painting-in-oil
    Paintings
    Painting Technique
    Paint-in-progress
    Paris
    Peacock Feathers
    Perfect Conditition
    Perfectly Planned
    Pheasant
    Pheasants
    Picasso
    Pigments
    Plain Arts Salisbury
    Planner
    Planning
    Poldark
    Pond
    Portrait
    Postage
    Postage And Packing
    Prime
    Print
    Printing
    Public-art
    Purple
    PV
    Raw Pigement
    Raw Umber
    Reading
    Reference
    Reference Photos
    Right Brain Business Plan
    Risk-taking
    Risk Taking In Art
    Rodin
    Room-with-a-view
    Safari
    Salisbury
    Salisbury Arts Centre
    Salisbury Art Trail
    Salisbury Cathedral
    Salisbury-cathedral
    Salisbury-christmas-market
    Salisbury Museum
    Salisbury Paint Off
    Salisbury-plain
    Salisbuty
    Sandown Park
    Sandown Park Racecourse
    Sculpture
    Sebastiano
    Self Doubt
    Sell Art
    September
    Shed
    She Means Business
    Shopping
    Sixmusic
    Sketch
    Sketchbook
    Sketches
    Sketching
    Sketching On Holiday
    Snow
    Sole Trader
    Solo Show
    Sorolla
    South Wilts
    South Wiltshire Business Of The Year Awards
    Spirefm
    Sprie Fm
    Spring
    Stag
    Stonehenge
    St Paul's Cathedral
    Strategy
    Studi
    Success In Small Business
    Sumatra
    Summer Shows
    Surrey
    #SWBOY18
    SWBOYA
    SWBOYA 2019
    Taking Risks
    Tate Britain
    Telegraph
    Texture
    Thai Dancer
    The Empowered Entrepreneur
    The Secret Lives Of Colour
    The White Hart Hotel
    Things To Draw
    Think Buzan
    Tiger
    Tiger Painting
    Timelapse
    Top Tips
    Travel Diary
    Treasure
    Turner
    Unfolding Your Life Vision
    Unique Gifts
    Valentines
    Value
    Venice
    Vibrant
    Video
    Violet
    Watercolour
    Waterlily
    Waterstones
    Webinar
    Wey Gallery
    White Park Cattle
    Wild Woodland
    Wiltshire
    Witlshire
    Women In Business
    Workinprgoress
    Work In Progress
    Workshop
    Workshops
    YBY2017
    Zebra
    Zest It

    This section will not be visible in live published website. Below are your current settings:


    Current Number Of Columns are = 3

    Expand Posts Area = 1

    Gap/Space Between Posts = 24px

    Blog Post Style = card

    Use of custom card colors instead of default colors =

    Blog Post Card Background Color = current color

    Blog Post Card Shadow Color = current color

    Blog Post Card Border Color = current color

    Publish the website and visit your blog page to see the results

    Pinterest

    Archives

    February 2023
    January 2023
    October 2021
    December 2020
    August 2020
    July 2020
    April 2020
    March 2020
    December 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    August 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    October 2015
    September 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    February 2014
    January 2014
    September 2013
    August 2013
    June 2013
    May 2013
    April 2013
    March 2013

    RSS Feed

Picture

SHOP  CUSTOM. PRINTS BLOG

Picture
I got the nickname "The wild painter" on safari in Kenya.
Picture
© 2022 Louise Luton. All work is protected by copyright. Reproduction is prohibited.
  • home
    • Testimonials
    • FAQs
    • Subscribe
    • Members page
    • Subscribers secret sale
  • Store
  • CUSTOM
  • Prints
  • Galleries
  • Portfolio
  • About me
  • Blog
  • Archive